The agony and joy of a Lomographer in Korea continues. It's taken some training but i finally have a developing studio near my house able to process films how i want them. When i first went in i was refused as they had never cross processed films before and thought they would be unable to do it. I was even called after the negative was developed to inform me the colour wasn't normal and to apologise for any mistake. But now all i get is a quick, "Are you sure?" before the roll is handed over and the job begun.